,

Color Panel v1.0, 1999

Software, Macintosh 280c and Plastic Acrylic

14.5 x 10.5 x 3.5 inches

Runs Continuously, Never Repeats

Edition of 12

Color Panel v 1.0 is a time based color study. Influenced by the Bauhaus movement, Color Panel interprets color ‘rules’ into software. The software iterates through color possibilities explored in theories proposed by Bauhaus artists including Klee and Kandinsky. The activation of these studies results in a dynamic composition of changing color pallets that never repeat.

2016:

Tech-né-Color, Sandra Gering Inc, NYC

2015:

Technologism, Monash University Museum of Art | MUMA, Australia

2012:

Digital Paintings, Louisiana Art & Science Museum, Baton Rouge, LA

2005:

Techno/Sublime, CU Art Museum, University of Colorado, Boulder, CO
John F. Simon, Jr., Alexandria Museum of Art, Alexandria, LA

2004:

Seeing Double: Emulations in Theory and Practice, Solomon R. Guggenheim Museum, New York
Knoxville Museum of Art, Knoxville, TN
Paintings That Paint Themselves Or So It Seems, Kresge Art Museum, Michigan State University, East Lansing, Michigan

2002:

John F. Simon, Jr.,SITE Santa Fe, Santa Fe, NM
Digital Louisiana, Contemporary Arts Center, New Orleans, LA
John F. Simon, Jr. University of Iowa Museum of Art, Iowa City, IA
Electrohype 2002 Biennial Malmo, Sweden

2001:

TranspolyBlu, Elliot Smith Contemporary Art, St. Louis, MO
Scanner, CCAC Institute, San Francisco

2000:

An Art of Pure Form: works from the collection of the Solomon R. Guggenheim Museum, New York State Museum, Albany, NY

1999:

Cyber Cypher Either End, Mario Diacono Gallery, Boston, MA